Th‘Crisis Without Anxiety: The Jacobite Moment of Ann Macklin's Benefit Night, 23rd April 1746' (with David Worrall),
Restoration and Eighteenth-Century Theatre Research, 32:2 (2017) [published 2020]
‘Petticoat Sailor to She Crossing: a Writer’s Reflections on Novelizing a Screenplay’, ed. Deborah Cartmell,
Adaptations, Oxford University Press 10 (2017) pp.114-126. The text is available here at "Oxford Academic".
‘Woman at Sea! Going Against the Flow: A Writer’s Reflection on Adapting a Feature Length Screenplay into a Novel’ (book chapter),
The Many Facets of Adaptation, eds. Rodica Dmitru, Georgina Lock, Veronica Popescu, Sara Laviosa, (Iasi: Linguaculture, 2015) pp. 74-90.
‘Burlesque’ (encyclopedia entry) eds. Gary Day and Jack Lynch, Encyclopedia of British Literature 1660-1789, (Oxford: Wiley Blackwell, 2012).
‘Cross-Dressed Performance at The Theatrical Margins: Hannah Snell, The Manual Exercise and The New Wells Spa Theatre, Goodman’s Fields, 1750’
(with David Worrall), Huntington Library Quarterly 77 (2014), pp. 17-36.
The text is available at: hlq.pennpress.org/media/34078/hlq-771_p17_lock-worrall.pdf
‘Honouring the Wound: War and Performance in the Lives of Hannah Snell, Deborah Sampson and Pauline Cushman’ (book chapter),
eds. Veronica Popescu and Radu Andriescu,
Inscriptions on the Body: Violence and its Encodings in Literature and Film, (Iasi: Linguaculture, 2011) Issue 2, pp.23–38.
‘Performance and Performing in Lady Mary Wortley Montagu’s Letters from The Embassy at Istanbul’,
Britain and the Moslem World, ed. Gerald Maclean, Cambridge Scholars Press, 2011. pp.102-114.
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